Overview
"To conjure an object into existence, with your own hands, something that never existed until that moment – well, that is the greatest job one could ever have. I feel so lucky to do this every day."
Drawing from her skills as a former Master Printer and fusing together personal and global concerns, Belinda Fox’s work lays bare the paradoxes endemic to contemporary human experience. Working in painting, drawing, glass, sculpture, printmaking and collaboration, Fox examines the volatility of our era, excavating the iridescent beauty that flickers below the shadowy surface of conflict and despair. Having grown up in regional Victoria, and lived in Singapore and The Netherlands, and currently based in Melbourne, Fox presents us with artworks in which beauty is a gateway into dense conceptual terrain patchworked with blackness and light, an ‘antidote’ to our polarised epoch; a bridge connecting us through a shared – albeit almost forgotten – humanity.
 
Forging an international career showing in over 35 solo exhibitions to date in Australia, USA, Europe, Hong Kong, Singapore, Korea and Jakarta. Fox has received several notable awards including the Northern Beaches Environmental Art & Design Award (2022), Paul Guest Drawing Prize (2010), Burnie Print Prize (2007), Silk Cut lino print award in (2004), and been a finalist in many awards since 2000. Fox has taken up many national and international residencies in Shanghai, France, Thailand, Greece, Perth, Darwin, Canberra, Melbourne, Tasmania. Her work is also held in major collections including The Kunstmuseum, The Netherlands, Janet Turner Museum, USA, Art Gallery of New South Wales, National Gallery of Victoria, National Gallery of Australia, Art Gallery of Western Australia, Manly Art Gallery & Museum, Queensland University of Technology Art Museum, Artbank, Art Gallery of Ballarat and Bendigo Art Gallery. In 2016, a monograph of Fox’s practice was published by Goff editions, USA, titled ‘Back to the Start.' In 2022, Fox was awarded the Australian Print Workshop Collie Trust Printmaking fellowship, VIC.
Works
  • Belinda Fox, Cultivate I, Proof II, 2026
    Belinda Fox
    Cultivate I, Proof II, 2026
    Etching with hand-stained paper. Price includes signed book.
    10.63 x 5.51 inches
  • Belinda Fox, Cultivate II, Proof II, 2026
    Belinda Fox
    Cultivate II, Proof II, 2026
    Etching with chin colle lino cut
    11.02 x 5.51 inches
  • Belinda Fox, Connector Fragment 6
    Belinda Fox
    Connector Fragment 6
    Woodcut, Hand Stain, Monotype Lino Papercut
    69 x 70 inches
  • Belinda Fox, Passage of Time II
    Belinda Fox
    Passage of Time II
    Digital Pigment Print, Ed. of 8
    60 x 77 inches
  • Belinda Fox, Resilient II
    Belinda Fox
    Resilient II
    Watercolor, Ink, Pen, Woodcut on Board
    43 1/4 x 70 7/8 inches
    110 x 180 cm
  • Belinda Fox, Roll with it VI
    Belinda Fox
    Roll with it VI
    Watercolor, ink, collage, pigment, acrylic spray on linen
    40 x 96 inches
  • Belinda Fox, Slow Ascent I
    Belinda Fox
    Slow Ascent I
    Watercolour, ink, collage, pen, acrylic spray on stained board
    51.18 x 47.24 inches
  • Belinda Fox, Slow Ascent II
    Belinda Fox
    Slow Ascent II
    Watercolour, ink, collage, pen, acrylic spray on stained board
    51.18 x 47.24 inches
  • Belinda Fox, Slow Ascent III (Sam's Garden)
    Belinda Fox
    Slow Ascent III (Sam's Garden)
    Watercolour, ink, collage, pen, acrylic spray on stained board
    51.18 x 47.24 in
  • Belinda Fox, Thrive
    Belinda Fox
    Thrive
    Watercolor, pen, ink, collage, acrylic spray, encaustic wax on stained paper canvas
    49 x 41 inches
  • Belinda Fox, Thrive II
    Belinda Fox
    Thrive II
    Watercolor, pen, ink, collage, acrylic spray, encaustic wax on stained board
    48 x 44.5 inches
  • Belinda Fox, Tumbler (last time to make plans)
    Belinda Fox
    Tumbler (last time to make plans)
    Watercolor, ink, pigment, acrylic spray, pen on stained paper canvas
    40 x 48 , framed
  • Belinda Fox, Watershed
    Belinda Fox
    Watershed
    Watercolor, Ink, Drawing, Collage, and Encaustic Wax on Clay Board
    52 x 48 inches, Framed in Tasmanian Oak
  • Belinda Fox, The Storymaker II (holding space)
    Belinda Fox
    The Storymaker II (holding space)
    Watercolour, ink, graphite, collage on clay board
    47.24 x 51.18 inches, White Float Frame
  • Belinda Fox, The Storymaker III (hold me up)
    Belinda Fox
    The Storymaker III (hold me up)
    Watercolour, ink, graphite, collage on clay board
    47.24 x 51.18 in, White Float Frame
Exhibitions
Biography

Education
1999 University of Melbourne, Australia
1996 BFA, Printmaking, Victorian College of the Arts, Australia


Selected Collections
Kunstmuseum • Women’s Club Sydney • Janet Turner Print Museum • Art Gallery of New South Wales • National Gallery of Victoria • National Gallery of Australia • Print Council of Australia • Ballarat Art Gallery • Banyule City Council • Burnie Art Gallery • Wollongong University • Fremantale Arts Centre • Artspace, Mackay • Swan Hill Regional Gallery • Gladstone Regional Art Gallery • Toowoomba Regional Art Gallery • Warnambool Art Gallery • Manly Art Gallery & Museum • Mildura Arts Centre • Queen Victoria Museum • Parliament House Melbourne • Charles Sturt University • QUT Art Museum • ArtBank • AMP Tokyo • BHP Billiton Melbourne • Tweed Regional Gallery & Margaret Olley Art Centre • Hamilton Regional Gallery • Bendigo Art Gallery • Whitehorse Council Collection 
• Art Gallery of Western Australia


Selected Solo Exhibitions
2025 Tipping the scales, Maybaum Gallery, San Francisco, CA, USA

2024 Let’s Begin, Australian Galleries, VIC

2024 More than this, Shepparton Art Museum, Shepparton, VIC
2024 the light crept in, Art Gallery of Ballarat, Australia
2023 Yield, Maybaum Gallery, San Francisco, CA, USA
2023 Add it Up, Mildura Art Centre, Australia
2022 Still/Life, Australian Print Workship, Melbourne, Australia
2021 Gratitude, Maybaum Gallery, San Francisco, CA, USA
2020 Fragment(ed), Gallerysmith, Melbourne, Australia
2020 Fault/Lines, Maybaum Gallery, San Francisco, CA, USA
2020 Close to Home, Michael Reid Gallery, Berlin, Germany
2019 You need the light to cast a shadow, Arthouse Gallery, Sydney, Australia
2018 Introduce Yourself, Maybaum Gallery, San Francisco, CA, USA
2018 Pedastal, Gallerysmith, Melbourne, Australia
2018 Drawing a Line, Michael Reid Gallery, Berlin, Germany
2017 Tapestry, Arthouse Gallery, Sydney, Australia
2016 Tilt, Manly Museum & Art Gallery, Hong Kong
2016 Balancing the World, Chan Hampe Galleries, Singapore
2015 Excavate, Arthouse Gallery, Sydney, Australia

Selected Group Exhibitions
2024 On Paper, Swan Hill Regional Gallery, Australia
2023 Art Miami, Maybaum Gallery, Miami, FL, USA
2023 Surface Effect, Manly Art Gallery and Museum, Australia
2023 40x40, Austrailian Print Workshop, Melbourne, Austrailia
2023 Paper/Clay, Arthouse Gallery, Sydney, Australia
2022 Art Miami, Maybaum Gallery, Miami, FL, USA
2022 Baldessin Press - The Legacy, Australia Galleries, Melbourne
2022 Out of the Blue, Arthouse Gallery, Sydney, Australia
2021 I am Here, Arthouse Gallery, Sydney, Australia
2020 Fruhlings An Australian Spring, Michael Reid Gallery, Berlin
2020 Renewal, Arthouse Gallery, Sydney, Australia
2019 The Paul Guest Collection, Bendigo Art Gallery, Australia
2019 Reflections of a Fading Sky, Arthouse Gallery, Sydney, Australia
2019 Art Miami, Maybaum Gallery, Miami, FL, USA
2019 Seattle Art Fair, Maybaum Gallery, Seattle, WA USA
2018 All We Can’t See, Yellow House, Sydney, Australia
2018 Art Miami, Maybaum Gallery, Miami, FL, USA
2018 Op de vriendschap!, Gemeentemuseum, Den Haag, Netherlands
2018 Size Matters - a question of scale, Chan Hori Gallery, Singapore
2018 Seattle Art Fair, Maybaum Gallery, Seattle, WA, USA
2018 Formal Dimension, Maybaum Gallery, San Francisco, CA, USA
2018 Surprise: new acquisitions, The Janet Turner Print Museum, Chico
2018 Australian Ambassador’s Residence, Den Haag, the Netherlands
2017 Australasian Painters, Orange Regional Gallery, Australia
2017 2x5, Grafische Werkplaats, Den Haag, the Netherlands
2017 Hyper-botanical, Gallerysmith, Melbourne, Australia
2016 Art Stages, Jakarta, Indonesia
2015 Common Ground, Chan Hampe Galleries, Singapore

Events
News
Bibliography

Neville French, “The two of us – TILT’, The Journal of Australian Ceramics, Vol 56/2 pg 87-91

Nina Karaicic, “Belinda Fox at The Cat Street”, Widewalls, 2017

Lianhe Zaoao, “Belinda Fox”, Chinese Daily Newspaper, 25/1/16

Cheah Ui-Hoon, “Delicate balance of painting and sculpture”, The Business Times Singapore, pg28, 4/12/15

Bryan Kempson & Barkley Naylor, Guest, “Back to the Start”, monograph, published by Goff Books 2015

Lucy Stranger, “PROFILE”, Artist Profile Magazine, Issue28, pg53-55, 2014

Brett Ballard, “Belinda Fox Slip”, review, Ceramics Art and Perception, Vol22/12 pg112-114

Altair Roelants, “The Narrative of Place”, The Journal of Australian Ceramics, Vol50/3, pg20-25 2011